“A Thing of Beauty is a Joy Forever” by John Keats

A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o’er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old, and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
‘Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven’s brink.

Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple’s self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast
That, whether there be shine or gloom o’ercast,
They always must be with us, or we die.

Therefore, ’tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own valleys: so I will begin
Now while I cannot hear the city’s din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I’ll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimmed and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end!
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.

One could hardly think of a British poet of the nineteenth century who is as soulful and lyrical as John Keats. His life was very short – he died from tuberculosis at the age of 25, – yet he managed to leave a great poetic legacy. Continue reading “A Thing of Beauty is a Joy Forever” by John Keats

“She Walks in Beauty” by Lord Byron

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express,
How pure, how dear their dwelling-place.

And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

The poem “She Walks in Beauty”, written by George Gordon Byron in 1813, is a part of the “Hebrew Melodies” cycle. It reflects Byron’s admiration at the sight of a lady in black he saw while at a bal. Continue reading “She Walks in Beauty” by Lord Byron

“Si Tu Me Olvidas” by Pablo Neruda

QUIERO que sepas
una cosa.

Tú sabes cómo es esto:
si miro
la luna de cristal, la rama roja
del lento otoño en mi ventana,
si toco
junto al fuego
la impalpable ceniza
o el arrugado cuerpo de la leña,
todo me lleva a ti,
como si todo lo que existe,
aromas, luz, metales,
fueran pequeños barcos que navegan
hacia las islas tuyas que me aguardan.

Ahora bien,
si poco a poco dejas de quererme
dejaré de quererte poco a poco.

Si de pronto
me olvidas
no me busques,
que ya te habré olvidado.

Si consideras largo y loco
el viento de banderas
que pasa por mi vida
y te decides
a dejarme a la orilla
del corazón en que tengo raíces,
piensa
que en ese día,
a esa hora
levantaré los brazos
y saldrán mis raíces
a buscar otra tierra.

Pero
si cada día,
cada hora
sientes que a mí estás destinada
con dulzura implacable.
Si cada día sube
una flor a tus labios a buscarme,
ay amor mío, ay mía,
en mí todo ese fuego se repite,
en mí nada se apaga ni se olvida,
mi amor se nutre de tu amor, amada,
y mientras vivas estará en tus brazos
sin salir de los míos.

A diplomat and a poet, a communist and a Nobel prize winner, Pablo Neruda left a rich legacy. His books won several awards, including the Stalin Prize for Strengthening Peace Among Peoples (1953), award from Chile National literature committee (1945), and the Nobel Prize for Literature (1971). Continue reading “Si Tu Me Olvidas” by Pablo Neruda

“Nothing gold can stay” by Robert Frost

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

One of the most celebrated poets in the US, Robert Frost holds a unique position in American literature. He was awarded Pulitzer Prize four times – the result that no other man of letters has managed to achieve so far. Continue reading “Nothing gold can stay” by Robert Frost

“O captain! My Captain!..” by Walt Whitman

O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

Walt Whitman enriched American literature with his outstanding creative work; he broke the new ground in poetry. Whitman despised slavery and fought for the ideals of freedom and democracy. Continue reading “O captain! My Captain!..” by Walt Whitman

‘Spared’ by Wendy Cope

“That Love is all there is,
Is all we know of Love… ”
Emily Dickinson

It wasn’t you, it wasn’t me,
Up there, two thousand feet above
A New York street. We’re safe and free,
A little while, to live and love,

Imagining what might have been –
The phone-call from the blazing tower,
A last farewell on the machine,
While someone sleeps another hour,

Or worse, perhaps, to say goodbye
And listen to each other’s pain,
Send helpless love across the sky,
Knowing we’ll never meet again,

Or jump together, hand in hand,
To certain death. Spared all of this
For now, how well I understand
That love is all, is all there is.
 

This poem by Wendy Cope is one that she apparently wrote as a response to the atrocities of 9/11. I think it is a really special, beautiful poem and meditation on an unspeakably tragic event.

The poem expresses great sadness, but it is also triumphant; the conclusion of the poet’s musings is that “love is all, is all there is.” I love the inclusion of the quote from Emily Dickinson, as it reminds us that this is not a new revelation, but that the truth that “love is all” is something we have always known. Faced with inhuman acts of violence, we cannot help but feel our sense of love reinforced, because it is our natural reaction to such happenings to feel compassion, and the think about our own loved ones.

I love the way that Cope emphasises the idea of the mortality of each one of us in this poem. In the first stanza she talks about being “safe and free” as a survivor (“It wasn’t you, it wasn’t me”), but then she undercuts this feeling of being “Spared” with phrases such as “a little while” and “for now”; we are all mortal, she reminds us.

What is important in this poem is the love that triumphs over an act of evil. There is a sense of fervent admiration for those who have died, and who continued to love until the end (the “last farewell on the machine” and the “sending helpless love across the sky”, and even those who “Jump together… To certain death”). I also think the poem delivers a strong sense of the desire to make the most of life, particularly with the image of somebody who “sleeps another hour” and so misses a message of love…

I think this is such a touching poem; I hope you enjoy it!

Reviewed by Emily Ardagh

‘Dreams’ by Langston Hughes

Hold fast to dreams
For if dreams die
Life is a broken-winged bird
That cannot fly.
Hold fast to dreams
For when dreams go
Life is a barren field
Frozen with snow.

Here is a little bit of concise, beautiful wisdom for today! There is not much I want to say about this poem, other than I love it. The rhymes in this little gem make it so enchanting and memorable. A lovely one to memorise.

Reviewed by Emily Ardagh

‘Echo’ by Christina Rossetti

Come to me in the silence of the night;
Come in the speaking silence of a dream;
Come with soft rounded cheeks and eyes as bright
As sunlight on a stream;
Come back in tears,
O memory, hope, love of finished years.

O dream how sweet, too sweet, too bitter sweet,
Whose wakening should have been in Paradise,
Where souls brimfull of love abide and meet;
Where thirsting longing eyes
Watch the slow door
That opening, letting in, lets out no more.

Yet come to me in dreams, that I may live
My very life again though cold in death:
Come back to me in dreams, that I may give
Pulse for pulse, breath for breath:
Speak low, lean low
As long ago, my love, how long ago.

This is such a hauntingly melancholy poem by Christina Rossetti. It is a beautiful expression of grief and longing to find a loved one again after they have died. My personal feeling is that this is about a dead child (perhaps it’s something about the “soft, rounded cheeks”), though it could be read with any departed loved-one in mind.

I love the repetition of “Come” in the first stanza (“Come to me”, “Come in”, “Come with”, “Come back”), and the rhyme scheme; all of this makes the poem so enchanting, almost like a self-sung lullaby. My favourite phrase in the whole poem, is “eyes as bright/ as sunlight on a stream”. It’s such a gorgeous image, and the sibilance really makes the words sparkle…

Notice that the speaker begs her departed love to “Come back in tears”. I think that she uses these words because she yearns for her child (or whoever it is!) to come back by any means, so long and she comes back. If the only way to keep her connection to her dead child is to be constantly grieving, or “in tears”, then so be it.

I love the description of Paradise, in the second stanza. Rossetti wrote a lot of religious poetry, and I think that an element of her faith almost always shines through all her poems. I just think that the image of the “slow door/ That opening, letting in, lets out no more” is incredibly stunning. What a wonderful image of Heaven. It is the dream of a place where nobody has to depart — nobody has to die.

In the final verse the poet repeats her “Come to me” and “come back”; she is happy that her loved one is in Paradise, but she still longs to be with them, and she cannot help calling for them. She begs them to return, “that I may live/ My very life again, though cold in death.” I think this is a very significant phrase because it shows us how much this person means to the poet — they are everything: “my very life”! She cannot live herself with this consuming grief. I love the way the poem ends on a nostalgic note: “As long ago, my love, so long ago”. The repetition in this final line is really effective, I think, because it delivers the sense that, though this death happened such a long time ago, the speaker continues to be troubled and consumed by it, and by the absence of the loved one.

Reviewed by Emily Ardagh